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my sister magdelana was engaged to be married to guiseppe, who learned
a trade at the industrial school on st. marks place and promised to
carry her away from the long days of toil sewing for pennies from her
padrone, and the fire started like a whisper, hesitantly, like it was
pausing in a corner before it looked into the face of god, then it
caught on a waistband, and a moan rose from each floor, and the fire
traveled like it was burning through paper, because pounds of fabric
burn easily, creating a cauldron of screams and rips and tears, searing
through skin like it was made of cotton, like it was flimsy, and one
narrow window led to a staircase that fell under the weight of panic,
and the elevator cables snapped when someone slid down them, and the
firemen's ladder reached only the sixth floor, many died without
moving, their skin seared to the bone, and some sat at the
window's edge kissing the star of david or crossing themselves and
saying a prayer to jesus to save them before jumping to the pavement,
and magdelena was caught in the backlash of a curl of fire, closing her
mouth with one finger, instructing her to be quiet, to lay down, till
she was ashen, till she floated through the charred air of lower
broadway, drifting toward the east river, like a black cloud in the
late winter sky
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Bruce Weber is the author of five published books of poetry, including The Break-up of My First Marriage
(Rogue Scholars Press, 2009). Bruce’s work has appeared in
numerous magazines, as well as in several anthologies. including
recently in Up is Up, But So Is Down: Downtown Writings, 1978-1992 (New York: New York University, 2006), and Riverine: An Anthology of Hudson Valley Writers
(New Paltz, New York: Codhill Press, 2007). He has performed regularly
in the tri-state area, both alone and with his performance group, Bruce
Weber’s No Chance Ensemble, which has produced the CD Let’s Dine Like Jack Johnson Tonight
(members.aol/com/ncensemble). He is the organizer of the
Unorganicized Sunday Reading at ABC NO RIO, editor of the broadside Stained Sheets,
and the producer of the long running Alternative New Year’s Day
Spoken Word/Performance Extravaganza. By day, Bruce is Senior Curator
at the National Academy Museum, and splits his time between his homes
in New York City and Saugerties, New York.
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